Individual frames from the "infinite fuck" portion of the "Christopher Marcom Being Dead, Alan Turing Contemplates Emptiness As He Encounters A Series Of Boys Thus Arriving At The

Inscription is an exploration of the aesthetics of power in relation to the task of writing. Here, in a time when the neo-fascist spirit is casting a shadow across the political culture, and when the possibility of meaningful political discourse seems more and more remote because of it, there is a relationship between the wealth of violence–war, images of brutality–and the poverty of our communications. There is a relationship between the denigration of thoughtfulness as weakness, femininity, and gayness, and the impossibility of halting the campaign of aggression that the U.S. has embarked on, or of furthering stalled progress in the domain of civil rights or economic justice.

... Thus Arriving At The Possibility Of Computation. The invention of the computer is traced to what came to be called the Turing Machine after the author of the 1936 paper “On Computable Numbers, With an Application to the Entscheidungsproblem” in which it was proposed. The tragic life of the Alan Turing is here figured as an embodiment of his invention.

Pornocopia imagines pornography as a machine, a system, a software, an algorithm: a device for the multiplication of desire or for the production of desire’s contagion. It is structured as 10 software mechanisms, which play out a sequence of state changes within a single minute while containing a series of porn images.

A culmination of the work with harmonographs, this piece incorporates a sound track which was constructed using techniques analogous to the curves, and a voice-over which makes links between the abstract forms and social, sexual, and computational concepts. It is the first step in a narrativizing thrust of the work.